In the 1920’s, Harold Lloyd’s silent film stardom outshone Charlie Chaplins. Today, we remember The Little Tramp while The Glasses Character is a cinephile’s trivia question answer.
In a case of collateral damage during the early PC wars, a revolutionary font, alternately loved and hated, is overtaken on the web by an inferior copycat.
Did a lepidopteran girl-monster like Mothra ever have a chance against a reptilian guy monster like Godzilla? In the skies over Tokyo, yes. In the teenage brains of testosterone-addled mid-century monster movie fans. Not a chance.
An angry young man at the vanguard of the post-punk English New Wave, Graham Parker never veered too far from his pub-rock roots while his contemporary Elvis Costello soared to great heights as a musical chameleon.
If Samuel Beckett was literary heir to James Joyce, the one who had studied at the feet of the master, assisted him at his labors, and carried forward the banner of modernism, Flann O’Brien was Joyce’s wayward second cousin, one who hauled the banner further still, into the post-modern absurd, but only after spitting on it, pissing on it, and ripping it to shreds.
Howard K. Smith
A principled broadcast journalist who felt that newsmen should take sides on public issues constantly sparred with his network overseers and consistently lost the ratings battle to “the most trusted man in America”, Walter Cronkite.